Music life in lockdown week 40 – the final edition

Since I started working from home back in March, I had no idea that by Christmas I would still be writing this.

This is the final entry for the Music life in lockdown review series.  I have really enjoyed going through my collection and listening to lots of music from over the years especially listening to some CDs that I haven’t played in ages.

One thing lockdown has taught me was to take the time, slow down and digest everything.  I have no longer been in a rush to do things. I could work and listen to music at a leisurely pace which has been good for my morale and even my mental health too.

This entry is for the Christmas edition as I was on the last of the working week before Christmas.  I don’t do Christmas music as such.  I am a bit of a humbug that way but there is the odd Christmas song I don’t mind.   When you hear it all the time on ads or in shops it does put you off it.

Anyway, for the last three days I decided to be a bit festive without playing Christmas songs.  That doesn’t make much sense does it?  I had a CD that I got with Uncut magazine a few years ago and it was called John Peel’s festive 15.  The CD compilation was a collection of cuts that made the legendary DJs festive 50 poll that he done every year.

The idea of the Festive Fifty is that it is an annual chart featuring the previous year’s best tracks, as voted for by listeners. Legendary BBC broadcaster John Peel presented the first ever Festive Fifty on Radio 1 back in 1976 and continued to do so until his death in 2004. Radio 1’s One Music show hosted the poll in 2005, before Peel’s former production team asked Dandelion Radio to become the new home of the official Festive Fifty from 2006 onwards.

Listeners vote for their three favourite tracks of the year at this website for a few weeks leading up to December 1st, with the results being broadcast as part of the schedule during Christmas and New Year.

So with three days to listen to music I had to turn to Spotify rather than going through lists to pick out individual songs voted over the years. For once I found that Spotify was quite good for this and I browed to find some great music to listen to. This does not mean from here on I will be embracing streaming services!

Over the three-day period of Monday 21 to Wednesday 23 December it was time to go through the festive 50s over the years after listening to the Uncut CD which was a fantastic listen to start off with.

On Spotify I found the following Festive 50s so went for mainly the 1980s and 1990s.

John Peel’s All Time Festive 50 only had 46 songs.  Possibly some issues that there would be some songs not available on Spotify.  This playlist includes Peel’s favourites, The Undertones Teenage Kicks, along with the likes of Joy Division, Sex Pistols, The Clash, New Order, The Smiths, Pulp, Nirvana, Dead Kennedys, My Bloody Valentine, The Fall (another Peel favourite) and Pixies.  Plenty there that I liked.

The Festive 50 for 1980 featured mostly punk, post punk and new wave with the likes of Sex Pistols, Joy Division, The Clash, The Jam, The Undertones, Dead Kennedys, The Damned, Stiff Little Fingers, Public Image Ltd, The Ruts, The Cure, The Fall, Adam and The Ants, The Specials, Killing Joke, SpizzEnergi (their song Where’s Captain Kirk? was on the Uncut CD) and Gang of Four.  That collection had ten more tracks than the usual top 50.

John Peel Festive 50 for 1985 did have all 50 songs on Spotify with the playlist featuring The Jesus and Mary Chain, The Fall, The Cult, Cocteau Twins, The Smiths, The Pogues, The Wedding Present, The Wooden Tops (they were also on the Uncut CD), Echo and the Bunnymen, New Order, That Petrol Emotion, The Cure, Billy Bragg and Husker Du, Sisters of Mercy which made this collection a very alternative 80s soundtrack and was excellent.

My favourite era is the 90s and I listened to a few festive 50s from 1992 and 1994.  The Festive 50 for 1992 playlist was heavily influenced by the new sounds coming from the USA with Ministry, Sonic Youth, Pavement, Babes in Toyland, Sugar, Buffalo Tom as well as UK and Irish bands like The Wedding Present, Suede, The Jesus and Mary Chain,  The Fall, Therapy?, The Frank and Walters, The Boo Radleys and Ride.  1992 was indeed a great year.

The Festive 50 for 1994 also was heavily balanced out with US and UK acts – Inspiral Carpets, Veruca Salt, Elastica, Portishead, Supergrass, Ash, Pulp, Pavement, The Wedding Present, Sebadoh, Hole, Shellac, Madder Rose, Sleeper, Mazzy Star, Nirvana and Beck to name but a few. I’m heavily biased towards the 90s and there are some great songs amongst that lot.

And that brings Music life in lockdown to a close.  It has been an insane 10 months of readjusting to life working from home and building a soundtrack that has carried me throughout the rest of the year.

I have enjoyed sharing my thoughts on what I have been listening to with others and I hope you have enjoyed reading about them as much I was enjoyed listening to my CD collection the way it should be!

Music life in lockdown week 39

This is a review of the albums that I have been listening to whilst working from home. Albums listened to for week 39 covers from 14-18 December.  The penultimate lockdown post before the final one for week 40.

Monday 14 December

Today was the first time in years that I had listened to these Bush CDs.  The band formed in1992 and found immediate success with their debut Sixteen Stone (1994) becoming one of the most commercially successful rock bands of the 1990s.

However, despite their popularity in the USA, they were less popular in their home country probably around the period that Britpop groups were dominating the UK charts and the appeal of grunge was on the decline.

Second album, Razorblade Suitcase (1996) was recorded by Steve Albini who only three years earlier recorded In Utreo for Nirvana.  A much rawer record than the debut album, it went straight to number 1 in America.  There were a lot of Nirvana comparisons with this album.

In 1997 the band came to Belfast playing at the Ulster Hall and I was at that one.  In fact, I wouldn’t get to see the band again until the Glastonbury Festival in 1999.

Looking back on the critical reception for this album, NME gave it 1 out of 10.  Ouch.  I quite liked this album.

The last two albums The Science of Things (1999) and Golden State (2001) were the last Bush albums I had bought.  The Science of Things tried to incorporate some the electronic elements into their rock sound probably influenced by the Deconstructed remix album from 1997.

Golden State was a decent enough album with the band trying to go back to the 1994 sound.  After this I had forgotten all about them as I was getting into other bands around the early 2000s.  Looked up their discography and found that they released four more albums between 2011 and 2020. 

Tuesday 15 December

No strangers to lockdown over the last nine months, local heroes Therapy? were my band of lockdown.  When you have songs like Going Nowhere and Isolation (Joy Division cover) you could see a tint of irony in here.

Having just completed reading Simon Young’s excellent So Much For the 30 Year Plan biography it made sense to revisit some of these albums as I had been listening to the likes of Nurse, Troublegum and Infernal Love quite a lot.

To be following a band 30 years into their career is something else.  I think I have remained loyal to the band throughout their career.  What this book showed me was how to appreciate what they have done.  Infernal Love was never going to scale the same heights as Troublegum but even looking back now I am starting to appreciate it a lot more than I did at the time.

Never Apologise, Never Explain (2004) saw the band return to a three piece after the departure of Martin McGarrick. and this album was reminiscent of the claustrophobic sound of their earlier material. 

Crooked Timber (2009) is a great album, and my copy is signed by the guys.  The album was produced by Gang of Four’s Andy Gill who sadly died last year.   A solid album and I reckon it is right up there with Troublegum.

The next three studio albums – A Brief Crack of Light (2012), Disquiet (2015) and Cleave (2018) showed no sign of the band easing up.  All three albums are brilliant and are a must for any fan to have in their collection.

As the pandemic was starting, I really thought I was going to miss out on the Greatest Hits album released in March last year.  Should have ordered at the time but left it too late and it sold out on the band’s website.  The album’s title Greatest Hits The Abbey Road Session caused an issue which arose by the studio over naming rights, so all re-pressings and digital copies got retitled Greatest Hits (2020 Versions).

When the shops reopened last summer, I paid a visit to my local HMV and to my delight they had the album with the original title, and I was so happy to get it.  This is a greatest hits with a difference in that the band play their successful top 40 singles updated for 2020 which included an appearance of James Dean Bradfield doing vocals on Die Laughing which was fantastic. 

The second part of the double CD release, entitled Official Bootleg 1990–2020, features 15 live songs (one to represent each studio album in the band’s discography) recorded between 1990 and 2018, compiled from the band’s personal archives and features songs that you rarely hear.

Wednesday 16 December

Midweek and time to get the last gang in town, The Clash out for another blast.  Throughout lockdown band have been a regular fixture in my playlists so I went for something a wee bit different today.

The Clash on Broadway box set compilation album comprises 64 tracks on three compact discs, spanning the period from their first single White Riot in 1977, through the Combat Rock album of 1982.  When I first bought this, I thought it was a live album from around that time that they were huge in the USA.

Over three CDs it is like an extended greatest hits album but this band have had some many compilation albums it brings me to the next one, The Clash Hits Back (2013) as a double CD and the album was done in the sequence to copy the set played by the band at the Brixton Fair Deal (now Academy), rounding off with some songs that failed to make the set that night.

This set was released simultaneously with an eleven-disc box set titled Sound System along with 5 Album Studio Set, which contains the band’s first five studio albums.   I didn’t bother buying it as I have all the albums apart from Cut the Crap.

There possibility can’t be any more material to be released or is there?

Thursday 17 December

As the week is ending, something unexpected happed on Twitter.  Richard Shaw’s 3albums series jumped right to 2020 which I don’t think was on the radar but considering the year it has been with no gigs, music being released was a great relief.

Overall, I only purchased 14 albums.  Throughout the year I have been listening to my vast collection so probably not taking the time to find new music to listen to.  The first seven albums here are:

Iron Maiden Legacy of the Beast Live in Mexico.  Recorded during the Legacy of the Beast world tour the now obligatory live album by the band is always going to happen ever since the legendary Live After Death album from 1985.  In no way this CD was going to replace the actual live experience of going to see the band but as 2020 was a complete right off gig wise this was as good as it was getting.

Biffy Clyro A Celebration of Endings was one of the albums I bought before lockdown.  I didn’t really enjoy their last album so I kind of bought this album just for the sake of having.  The album didn’t leap out at me on first couple of plays but after a few listens I thought it was a decent enough effort.

Fontaines DC released their second album A Heroes Death, a mere 18 months after their debut Dogrel.  Having seen the band live in 2019 I wasn’t really expecting a follow up so soon.  They were due to play Belfast last summer, but the pandemic put that one on hold.

As far as second albums go this is an excellent follow up and moves away from the post punk sound of their debut.  Here’s hoping we can get to see this band live again whenever the gigs start happening again.

Fake Names was a record I had been wanting to get all year and never go round it until recently.  The self-titled debut record punk rock supergroup includes Brian Baker (Minor Threat, Dag Nasty, Bad Religion), Michael Hampton (S.O.A., Embrace, One Last Wish), Dennis Lyxzén (Refused, International Noise Conspiracy, INVSN), and Johnny Temple (Girls Against Boys, Soulside)

This is a brilliant album and it only clocks 28 minutes, but it is probably the best 28 minutes of listening you will get and then you play it again.  In fact, I think I lost count of how many times I played it!

Rounded off the day with some solo albums from some legends of alt-rock scene – Greg Dulli, Mark Lanegan and Bob Mould.

Greg Dulli worked on some solo material after the release of The Afghan Whigs In Spades album.  It would become a solo project when he realised that many of his band mates were not available so he went off and done his own album writing, arranging and playing the bulk of the instruments with some guest musicians on the album.  It was a different album and one that I was not expecting.  Think my expectations were around his previous works on The Gutter Twins and The Twilight Singers.

Mark Lanegan needs no introduction.  He has been a regular feature throughout the year and Straight Songs of Sorrow was on my list to get for a long while and never got round to it.  I bought this album along with Fake Names early in December.  The album was inspired by writing his memoir Sing Backwards and Weep which I have yet to read.  I really liked this album but was it going to be enough to get into the top 3?

Front runner for a place in the top 3 was always going to be Bob MouldBlue Hearts was possibly the angriest album he has ever written.  Not shying away to make commentary of what is happening in his country now, Bob Mould admits that when he was in Husker Du they didn’t quite make any records about the Regan era.  If previous album Sunshine Rock showed signs of Bob Mould softening, Blue Hearts was a firm reminder of the fury that remains. 

Friday 18 December

Time for the remaining contenders to step forward.   Therapy’s 2020 versions got sneaked it as it wasn’t technical a best of album more of a reworking of older songs for 2020.  That sounds like cheating, but I don’t care, this album was one of my favourites of the year and it got another outing today.

Following James Dean Bradfield’s appearance on the Therapy? album I was quite pleased to hear that he had done a solo album, Even in Exile.

This was his second solo studio album and a concept album based on the life and death of the Chilean activist, singer, and poet Víctor Jara, with lyrics by poet and playwright Patrick Jones. (Nicky Wire’s brother).

Throwing Muses released their first album in seven years with Sun Racket which came out in September.  I thought I would like them as Tanya Donelly from Belly had previously provided backing vocals for them.  I really liked this album and will be checking out some of their other albums.

…And You Will Know Us by the Trail of Dead released their new album X: The Godless Void and Other Stories in January.  This was one of the first albums I purchased at the start of the year and they would be one band that I would listen to a lot during lockdown. Would love to see them live again.

Biggest surprise of the year for me was AC/DC putting out a new album, Power Up also sometimes shortened to PWR/UP and stylised as PWRϟUP.  To be honest after seeing them in Dublin back in 2015 I didn’t think they would ever be active again after lead singer Brian Johnston started to having hearing loss and was then replaced by Axl Rose.

There were a few teasers out on social media so there was a bit of a buzz about the new album.  I thought while it has been a terrible year a new AC/DC can’t be a bad thing.  They do what they do best and if it isn’t broke, don’t fix it.  It was a decent album from a band that I thought had been finished.

Bruce Springsteen returned with the E Street Band for the first time since 2014.  After the success of Western Stars in 2019, Bruce was back with an excellent album that dealt about mortality and aging.  Bruce is 71 now and doesn’t show any signs of slowing down.  The album is not that morbid as it does tackle those issues that we all face regret, aging and dying.  If there was ever an album, we needed during a pandemic I think it is this one because it all about the important things in life and makes you sit up and take notice.

Gigaton by Pearl Jam came out the week after my birthday and right during lockdown.  The was a flurry of activity online with cryptic clues going out over the social media platforms and the release of the first single, Dance of the Clairvoyants and quickly followed by Superblood Wolfmoon as tasters for the new album.

My first reaction was wow, this sounds different.  The band have evolved so much from when I started listening to them back in the 1990s, I wasn’t dismissive of the new material just needed to listen to it and hopefully it would grow on me.

 By the time I got the album I was starting to enjoy it and would have been looking forward to seeing the in London last summer.  Sadly, the pandemic took care of touring plans and even though they have rescheduled for this year, I doubt it very much if any big shows will go ahead.

That’s week 39 wrapped up.  Next post will be the milestone week 40.

Music life in lockdown week 38

This is a review of the albums that I have been listening to whilst working from home. Albums listened to for week 38 covers from 7-11 December.

Monday 7 December

Bruce Springsteen has been a regular listening feature during lockdown so today I got out this box set of his 1978 album, Darkness on the Edge of Town.

I remember getting this album after buying Born in the USA and it is is one of my favourite and the box set came out in 2010 containing 6 discs of 3 CDs and 3 DVDs. The Promise CD is a double CD of outtakes from the Darkness sessions.

This is a really nice collection and gives a great insight into the recording process of the album. The deluxe box set contains an 80-page spiral-bound reproduction of Springsteen’s original notebooks documenting the recording sessions for the album containing alternate lyrics, song ideas, recording details, and personal notes.

Tuesday 8 December

Another box set getting listened to is Steve Lamacq’s Lost Alternatives. Hard to believe but I am revisiting this one nearly almost 10 months since it was mentioned on week 1 of the blog. What I really liked about this collection is that it dug a bit deeper giving another side of the nineties which wasn’t all about Cool Britannia, Laddism and Blur vs Oasis.

Instead we get a snapshot of the evolution of guitar music which didn’t focus on the hits but rather the limited edition singles, The Evening Session cult favourites featuring bands that never made it and some that are still releasing music today.

Each of the four discs in this collection takes in the forgotten alternatives and lesser-known songs by bands including Happy Mondays, Flowered Up, Teenage Fanclub, Cornershop, Suede, Catatonia, Ash, Northside, The Auteurs, 60 Ft Dolls, Ultrasound and Mogwai.

Since I started writing this blog when lockdown began the music has been appreciated a bit more thanks to all the positive music posts on Twitter. On second listen I really enjoyed it a lot better than the first time.

Wednesday 9 December

Giving some albums here a spin that I haven’t listened to in a while. Some of them a bit more random such as Vendetta Red and Arbour Labor Union. I picked up Between the Never and the Now which was Vendetta Red’s third album but only hearing them for the first time in 2003. The Arbour Labor Union album I bought in 2016, I Hear You came as a recommendation. Two very different albums to start the day off.

Going back to 1994 for this album which I bought whilst in the USA at the time. Live’s Throwing Copper was a complete random purchase while I was out in America for a few weeks. It might have been hearing the single I Alone on MTV that got me interested as at time I was still listening to the likes of Nirvana, Pearl Jam, etc.

The Hunter is the fifth album by Mastodon and my first experience of seeing these guys live. They were amazing. It is a really good album too and shows that rock is still alive and well.

Continuing on the grunge theme, Manchester’s Nine Black Alps I came across in 2003 with their debut album, Everything Is. Definitely remember playing it earlier during lockdown but here was the follow up, Love/Hate (2007) which was a decent follow up.

Thursday 10 December

Today’s listening had no major theme. Just decided to listen to a few albums that I haven’t heard in a long while.

First up was Kinesis who released Handshakes for Bullets in 2003. The album reminded me of early Manic Street Preachers. However the band didn’t issue any bold statements that they would say millions of records and break up like the Manics said they would. They are still around. By 2005 they had actually broken up on the same day as the their next album was released.

Another English band I took an interest in was Brigade who I found out after listening to local Derry band, Fighting With Wire. Their debut album, Lights (2006) was pretty good and I liked it. It got good reviews in the rock press. Come Morning We Fight (2008) was the follow up and that was the last I had heard of them until I selected these CDs to be played. Sometimes when you haven’t heard something in a long while you appreciate it a bit better.

I can’t remember why I bought a Hole album. I guess it was wanting to know what all the fuss about Courtney Love was. Celebrity Skin (1998) was their third album and only album that I have. I liked it at the time and it is still a good listen. Saw the band live at Glastonbury in 1999 and they were quite good.

From the ashes of Kerbdog, came Wilt who formed in 1998. Kerbdog in my view were so criminally underrated and should have deserved more success. While Kerbdog had the Irish Nirvana thrown at them, for Wilt, music magazines like Rock Sound tipped them as the Irish version of  Hüsker Dü and Weezer which is a nice compliment.

The band released two albums, Bastinado in 2000 and then a follow up, My Medicine (2002). Both good albums. After that it was no more with the band splitting up in 2003. Since then Kerbdog have retuned and done some live shows. I caught the band in Belfast a couple of years ago and it was great to see them again having seen them over the years supporting the likes of Therapy? and Megadeth.

Friday 11 December

Finishing off the working week with some Beck. He rose to fame in the early 1990s with his experimental and lo-fi style, and became known for creating musical collages of wide-ranging genres. He has musically encompassed folk, funk, soul, hip hop, electronic, alternative rock, country, and psychedelia.

Loser was the first Beck song I heard and it was so different to what was being released in 1994 and I bought his third album, Mellow Gold.

It was with his fifth album, Odelay (1996) which brought greater success specially with singles Where It’s At, Devil’s Haircut and The New Pollution. It is a fantastic record.

After that I kind of drifting in and out of his music. Mutations (1998) and Morning Phase (2014) were the last two albums I bought. He came to Belfast in 2018 as part of BBC Music’s Big Weekend and that was the first time I had seen him live. He put on a fantastic performance and should have been on a bit longer, even headlining!

Music life in lockdown week 37

This was the start of a weeklong countdown to select #3albums01 as part of Richard Shaw’s Twitter poll and covers from Monday 30 November to Friday 4 December.

Previously covered in my earlier post at the time, this gives an overview of the albums that were in contention to top the poll. You can see in that post how the albums I listened to fared in the poll and where my top 3 ended up in that post.

Monday 1 December

Snow PatrolWhen It’s All Over We Have to Clean Up
JamesPleased to Meet You
FeederEcho Park
MuseOrigin of Symmetry
The FramesFor All the Birds
AshFree All Angels

Tuesday 2 December

BushGolden State
ConvergeJane Doe
Frank Black and the CatholicsDog in the Sand
FugaziThe Argument
The (International) ConspiracyA New Morning
IncubusMorning View
System of a DownToxicity

Wednesday 3 December

GarbageBeautiful Garbage
ElbowAsleep in the Back
EmbraceIf You’ve Never Been
CatatoniaPaper Scissors Stone
Super Furry AnimalsRings Around the World
Manic Street PreachersKnow Your Enemy
The CharlatansWonderland

Thursday 4 December

CakeComfort Eagle
Mark LaneganField Songs
The HivesYour Favourite New Band
The White StripesBlood Red Cells
The D46Twenty
The ShinsOh, Inverted World
Mercury RevAll is Dream
The StrokesIs This It

Friday 5 December

Jimmy Eat WorldBleed American
Rival SchoolsUnited by Fate
American Hi-FiAmerican Hi-Fi
Black Rebel Motorcycle ClubBlack Rebel Motorcycle Club
WeezerThe Green Album
Brand NewYour Favourite Weapon
ThursdayFull Collapse
Depeche ModeExciter
My VitriolFinelines

Music life in lockdown week 36

This is a review of the albums that I have been listening to whilst working from home. Albums listened to for week 36 covers from 23-27 November.

Monday 23 November

Today was totally devoted to all things REM.  This boxset is one of my favourites in my collection. 

R.E.M. at the BBC (2018) is a massive eight-disc compilation features sessions recorded between 1984 and 2008.  Over the discs we get sessions from 1991 which mainly showcase three songs from Out of TimeHalf A World Away, Radio Song and Losing My Religion with World Leader Pretend from Green and Fretless from Until The End of the World soundtrack.  The session finishes with a cover of Love Is All Around.

The next three sessions include four tracks from 1998’s Up for John Peel with a few shorter sessions for Radio 1 – Bad Day and Orange Crush for Mark and Lard 2003.  Also, from 2003 the band are played on Radio 2 for Drivetime – Man on the Moon and Imitation of Life feature here.  The last session on the disc is the BBC1 Live Lounge from 2008 where the band play a track from their new album, Accelerate and a cover version of their choice which was Munich by Editors.  It was quite different to the original and not that I expected.

The second disc is a much longer Peel Session from 1998 featuring 12 live tracks which were recorded on 25/10/98.  The oldest recordings are on disc 3 which features a live performance from Rock City, Nottingham on 21/11/84 and features most of the earliest material including Radio Free Europe, So. Central Rain (I’m Sorry) and (Don’t Go Back To) Rockville.

Discs 4 and 5 feature the bands headline slot at Milton Keynes on 30/11/95 from the Monster tour.  This was the year I got to see the band live at Slane Castle which is one of my favourite gigs.  Interestingly it sees the band return to Milton Keynes nearly 10 years after supporting U2 at the same venue.

My favourite of the collection is from discs 6 and from the bands headline slot at Glastonbury on 25/06/99.  This was my first and only visit to Glastonbury and I loved that headline slot.  It was nice to get it on CD now as I had an audio copy that I set to tape while I was away. 

Final live broadcast is from St James Church in London for Radio 2 on 15/09/04 featuring 11 tracks recorded at this intimate venue.

Tuesday 24 November

I love the concept of the supergroup where it brings different bands together to do new things.

The first supergroup I listened to was Temple of the Dog who formed in 1990 as a tribute to the late Andy Wood (Mother Love Bone).  The group was conceived by Chris Cornell on vocals, Matt Cameron from Soundgarden on drums, with Stone Gossard, Jeff Ament and Mike McCready from Pearl Jam.  Eddie Vedder appeared as guest on the album doing the duet with Chris Cornell on Hunger Strike.  The album was released in 1991 but it would be until 1992 that it became more widely recognised as the record company’s would discover as soon as grunge broke there was interest in the scene.

In 2016 they got together and toured the album for its 25th anniversary.  Would love to have seen that tour but it was mostly across North America.  It remains one of my favourite albums from the 1990s.

The second supergroup that I liked; Mad Season formed two years later in 1994.  Mainly a side project of members of other bands in the Seattle grunge scene – Alice in Chains, Screaming Trees and Pearl Jam.  Members included Mike McCready (Pearl Jam), Layne Staley (Alice in Chains). Barrett Martin (Screaming Trees) and John Baker Saunders (The Walkabouts).  They only released one album, Above (1995) which also included guest vocals from Mark Lanegan (Screaming Trees).

Tragedy would strike the band as both Layne and John died of drug overdoses.  Above is a great record and it sits well in my collection along with Temple of the Dog, as two of my favourite albums.

Dave Grohl tends to be a very busy man when he is not concentrating on his day job with Foo Fighters.  Grohl has been involved in a few side projects including Probot, Sound City and Them Crooked Vultures. 

Probot (2004) was his love letter to his passion for heavy metal and the songs he wrote which he performed by a variety of metal legends like Lemmy, Cronos, Max Cavalera and King Diamond. 

It is a great record, and it plays like if you were doing a mixtape of your favourite metal bands.

Another side project that Grohl was involved in was Them Crooked Vultures featuring Josh Homme (Queens of the Stone Age) and John Paul Jones (Led Zeppelin).  The album sounds more like a Queen of the Stone Age record as the style was just like theirs.  The album didn’t grab my attention the same way that Temple of the Dog and Mad Season did.  Maybe another listen is required to appreciate it.

In 2013 he done a documentary on the music studio Sound City (Probot was also recorded there).  He formed the Sound City Players with a variety of different artists including some members of Foo Fighters, Queens of the Stone Age, Stevie Nicks, Rick Springfield, Corey Taylor from Slipknot, Trent Razor and Paul McCartney who would form which many seen as a Nirvana “reunion” on the track Cut Me Some Slack featuring surviving Nirvana members Dave Grohl, Krist Novoselic and Pat Smear.  Paul McCartney is no Kurt Cobain, and I enjoyed the record I would never view this as Nirvana coming back together.  Just a bit of fun for those guys to get together and jam.

Last supergroup of the day is BNQT who were an indie super group featuring Fran Healy (Travis), Alex Kapranos (Franz Ferdinand), Eric Puildo (Midlake), Ben Bridwell (Band of Horses) and Jason Lyttle (Grandaddy).

The album came out in 2017 and it was recommended to me when I went into Head Records to get some music.  It is a decent enough album and would be interesting to see if they all get together again for volume 2.

Wednesday 25 November

Frank Turner began his career as vocalist of post-hardcore band Million Dead whose album features here.   The band took their name from the Refused song The Apollo Programme Was a Hoax.  Their debut album A Song to Ruin (2003) was very heavy punk with a political message.  The band released one more album and then called it a day in 2005.

From there Frank Turner went solo with his accompanied band The Sleeping Souls.  The first solo album I bought was England Keep My Bones (2011) and then following that bought Love Ire & Song (2008) and Poetry of the Deed (2009). 

Tape Deck Heart followed in 2013 and the last album I bought was Positive Songs for Negative People (2015).

Frank Turner makes some really good music here as his style after being in a post-hardcore band is very much folk influenced with a bit of punk.

Thursday 26 November

Before I got into grunge, the first Seattle band I liked was Queensryche who formed in 1980 and were considered part of the big 3 in the progressive metal scene. 

1988’s Operation: Mindcrime was their third album being a concept album and rock opera.  I love this album and it grabs your attention from the opening bars of I Remember Now to Anarchy-X which is instrumental.  By the end of the album, you have just been on an incredible journey.

The follow up, Empire (1990) was a favourite of mine too and funny enough for this tour, this was where the band started to play Mindcrime in its entirety even though Empire was the current release.  One of my biggest regrets was not going to see them when they came to Belfast. 

By the time they released Promised Land (1994) I was starting to go off the band but got interested again when I saw that they done a follow up to MindcrimeOperation: Mindcrime II picks off where the original left off.  I went for the double live set where they played both albums in their entirety at the Moore Theatre in Seattle.

Geoff Tate left the band in 2012 resulting in him losing the brand name of Queensryche so he has the right to use the name, Operation: Mindcrime which he uses for his solo tour.  I went to see Geoff play a show at the Empire in Belfast and he is an incredible vocalist using a touring band to play Queensryche songs.  Probably the closest I was going to get to hearing the songs live.  He was due to come back to Belfast this year to do Empire which is now 30 years old.  How time flies.  But looking back, it’s really Operation: Mindcime and Empire that are my favourite albums.

Friday 27 November

Rounding off the listening week to the songs of Mark Lanegan.  Having first encountered his work with Screaming Trees, this post-Trees solo stuff is amazing.  He seems to be a frequent collaborator with Queens of the Stone Age but has also worked with Kurt Cobain doing Lead Belly covers that were never released.  Other collaborations include working with Mad Season, The Gutter Twins with Greg Dulli, The Twilight Singers, Soulsavers and Isobel Campbell to name by a few.

The first solo album I bought was Whiskey for the Holy Ghost (1994) which was his second solo album, and it was great.  Different delivery to Screaming Trees but still a great album.

I finally got 1990s The Winding Sheet which was his debut solo album.  Highlights from this album include Mockingbirds, Wildflowers and Ugly Sunday. 

Kurt Cobain provides guitar and vocals on Down in the Dark along with Krist Novosleic on bass.  Where Did You Sleep Last Night on this album inspired Nirvana to do a cover of it on 1993’s MTV Unplugged.  Both versions are classics.

Fast forward to 2001 and fifth album Field Songs which includes contributions from Mike Johnson, Ben Shepherd (Soundgarden) and Duff McKagan (Velvet Revolver/Guns n’Roses).  Many drew comparisons with Tom Waits on his album.

Bubblegum (2004) would be the first-time releasing albums under the name Mark Lanegan Band.  Again, a wide variety of guest musicians are involved on this album including PJ Harvey, Josh Homme and Nick Oliveri (Queens of the Stone Age), Greg Dulli (Afghan Whigs) and Duff McKagan and Izzy Stradilin (Guns n’Roses).

Hit the City would be his first charted single in the British singles charts.  With this vast array of talent on the record it is just brilliant.  One of my favourites from that year.

Blues Funeral (2012) was album number seven and his first new material in eights years.  He had been doing extensive collaborations with Isobel Campbell.  I really liked this album and when he came to Belfast on the tour that year, I purchased the album on vinyl which he signed after the gig.

The last album here is the 3-disc compilation Has God Seen My Shadow which features songs from his released between 1989 and 2011. A good starting point if you want to listen to him for the first time.  The first two discs are all material from his solo albums while the third disc is previously unreleased songs.  None of his many collaborations are included in this album.

Music life in lockdown week 35

This is a review of the albums that I have been listening to whilst working from home. Albums listened to for week 35 covers from 16-20 November.

Monday 16 November

Starting of the new working week with three of my favourite albums from this year.  I was pleasantly surprised that Bruce Springsteen dropped a new album with the E Street Band.  After last years excellent Western Stars this album marked a return of the E Street Band for the first time since 2014’s High HopesLetter to You is Bruce addressing those questions of life as the album has been inspired following one of the deaths of his band mates from his previous band and of relationships with both his band and audience.  At the age of 71, you can tell that Bruce shows no signs of letting up.

Fourteen solo albums in and Bob Mould doesn’t look he is going to rest on his laurels.  Like Bruce, he turns out great albums.  Blue Hearts released in September this year is no exception and is hands down one of my favourite albums this year.  I will probably go as far as saying you are currently reading about which two albums are taking the top 2 slots for my top 10.

When Bob Mould is angry you can really tell on this album against the current backdrop of American politics.  Husker Du weren’t as vocal about the Regan era from the 80s but Bob doesn’t shy from his opinion on the now outgoing Trump.

Pearl Jam released their eleventh album after teasing it with cryptic clues over their social media platforms.  It came out a week after my birthday and with lockdown in full swing it took me a good part of the year to get Gigaton.  It was expensive first time I checked, nearly £18 for a single album.  Was trying to figure out why HMV priced it at that.  I mean Tool’s last album was nearly £80!  The price did come down reasonable, so I was glad to finally get it.

This album took a few listens to get into it and I have to say I do like it.  It feels like a more grown up grunge record and very experimental.  I would love to have experienced the new songs live.  Had a ticket for their London gig at Hyde Park in July but ended up getting a refund as it was cancelled due to COVID-19.

Tuesday 17 November

After listening to Bob Mould’s new solo album, today was all about his old band, Husker Du.  My first encounter with the band was with Sugar (Bob Mould’s band after the breakup).  Not knowing the history of them I found myself getting their back catalogue and loving it.

Many bands like Therapy? (they covered Diane on Infernal Love) and Foo Fighters (Bob Mould appeared on their album Wasting Light with vocals on Dear Rosemary) cite Husker Du as a massive influence and it is easy to see why.

In such a short space of time between 1983 and 1987 they had released 6 studio albums, 3 EPs and two live albums.  All very fast yet melodic all the same.

Zen Arcade (1984), New Day Rising (1985), Candy Apple Grey (1986) and Warehouse: Songs and Stories (1987) are all great albums.  The first Husker Du album I bought was The Living End (1994) which was live album.  This album got me into buying the other albums and there was that feeling of wishing you could have seen these guys live.  However, having seen Sugar once and Bob Mould solo loads of times I guess this was the closest I was ever going to get to hear Husker Du songs live.  Grant Hart was drummer of the band and he died in 2017.  There would be no chance of a reunion now.

Wednesday 18 November

Today it was all about Belfast punks, Stiff Little Fingers.  Formed in 1977 at the height of the Northern Ireland Troubles and the new punk scene, the band released Inflammable Material (1978) which taps into the grim reality of what life was like back then.  Alternative Ulster is often closed at gigs as the national anthem.   Second album, Nobody’s Heroes (1980) includes a cover of The Specials Doesn’t Make It Alright which shows the diversity of the band to do other songs other than punk.  I would think that Stiff Little Fingers were the Belfast version of The Clash.

Those two albums are the main ones I played from the box set which the albums came in their original sleeves.  I was too young to get into them at the time and I do remember seeing SLF on graffiti on walls and even in school.    It took me a long while to go and see them live and when I did, they have always put on a great show.

The last three years they have been headlining their own outdoor shows in Belfast curated by the band themselves who pick the support acts. 

Sometimes the support acts are value for money on their won to see them.  I done a review of this on my blog which you can read here.

No Going Back (2014) was released through Pledgemusic and lead track My Dark Places is a live favourite which sits in quite well with the older material.  Jack Burns touches on the issue of men’s mental health which is a very important issue.

The band have put out many live albums. Best Served Loud (2016) was recorded at Glasgow’s Barrowlands which is an amazing live venue.  If you ever get a chance to go to a gig in Glasgow, this is the place the experience live music.  It is almost like a second home for the band and the similarities between Belfast and Glasgow are not far between.

A good starting part to listen to them is to go for one of the best of compilations.  There are many out there, but I think Assume Nothing, Question Everything – The Very Best of Stiff Little Fingers (2012) features 42 tracks throughout their career with all the fan favourites.

Thursday 19 November

Back to the 1990s and another favourite band of mine from that time, Dinosaur Jr.

They formed in 1984 and after three albums on independent labels, the band earned a reputation as one of the formative influences on American alternative rock scene.  Start Choppin which was their biggest hit and it was after seeing the bands performance of Get Me on the BBC Late Show No Nirvana which showcased other alternative acts that lead to my purchase of Where You Been (1993) as my first album.  I guess the grunge revolution really did open the doors for these American bands I may not have heard of.  That programme alone was responsible for opening all those doors for me.  Check out the video below.

Follow up Without a Sound (1994) was a successful album.  Feel the Pain is a great track. After that I don’t know what happened but 1997’s Hand it Over completely bypassed me.  By 2007 nearly a decade after their last release, my interest in the band returned.  Beyond (2007), Farm (2009), I Bet on Sky (20120 and Give a Glimpse of What Yer Not (2016) are great albums.  Love the cover of Farm.  Sometimes I wonder if it was influenced by Alan Moore’s Swamp Thing comic for DC.

Some albums got the reissue treatment and I hope to get a few more but for now, I settled with Green Mind (1991) which was their fourth and first on a major label.  This should have been the first album for me but better late than never.  The 2019 editions contended extras with b sides and a live concert.  I wouldn’t get to see the band until 2016 when I saw them play both in Dublin and Manchester.  It was loud!

Friday 20 November

Ending the working week with Downpatrick’s finest band Ash.  Having covered the band on the blog previously it was time to look at the albums since Nu-Clear Sounds.  Their third album, Free All Angels (2001) was the one that turned things around for the band.  This is an absolute banger of an album and it is just as good as 1977.  Shining Light, Burn Baby Burn, Candy, Sometimes, There’s a Star and Walking Barefoot are all great singles.  The band know how to turn out singles.

This is highlighted on their first compilation album Intergalactic Sonic 7’s (2002) showcasing the singles and B-sides and rarities.  One if you are completist.  I have three best of albums by them!  The cover sleeve is in Manga style cartoon showing the bands love for both Star Wars and Transformers.

After the success of Free All Angels, album number five, Meltdown (2004) came out and was more of a hard rock album compared to the pop fusion punk of their previous releases.  Lead single Clones while not exactly about Star Wars but seeing the band are huge fans of the film, the track was use for a video game Star Wars: Republic Commando on the soundtrack.

By 2006 Charlotte Hatherley left the band and they reverted to a three piece and released Twilight of the Innocents (2007) which they said would be their last album.   It wasn’t that the band were splitting up that many had feared but more like trying to break the album-tour-album-tour cycle.

In 2009, the follow up to Twilight of the Innocents saw the release of singles only on a fortnight basis between 2009 and 2010.  The idea came about like the singles release only by The Wedding Present who released twelve 7” singles in 1992.  I didn’t subscribe to it at the time and was hoping that they would put the singles out as a collection which they did over two CDs A-Z Vol.1 and Vol.2 were released a year later.

I hope to get back to writing about Ash again as there is another chapter after this.

Music life in lockdown week 34

This is a review of the albums that I have been listening to whilst working from home. Albums listened to for week 34 covers from 11 – 13 November.

After two weeks of listening to 100 albums which is documented on week 32 and 33. I took a two day break from the tunes and was ready to go ahead midweek. A much shorter one for three days.

Wednesday 11 November

Midweek and time to try something new and listen to some music that I have listened to in a long while. The six albums I have picked for today as all diverse and different so no particular theme to the days listening experience.

Girls Names are a local Belfast band and I got their album, Arms Around A Vision (2015). I picked up this CD after seeing them as support act. Can’t remember who it was who they were supporting those. The band produced a range of indie pop, to post punk and alt-rock. Would probably have fitted in the shoegazing scene too. Sadly the band are no more after 10 years.

Jenny Lewis was formally with Rilo Kiely before they disbanded in 2014. Acid Tongue (2008) was her second album which features musical styles ranging from indie rock to alternative country and Americana. The album got really good reviews. This one came to me as a recommendation from a friend. Might revisit this album again.

A real blast from the past, Aimee Mann. I haven’t listened to I’m With Stupid (1995) in a long while and this was one of my favourite albums that year. I got to see her live in Belfast when she did a really intimate gig at Church House in Belfast. After that I have totally forgotten all about her. A quick visit online and I have found she has made six other albums since then.

Glasvegas by the Scottish indie rock band Glasvegas (2008) was their debut album and it is a really good debut. It really did live up to the hype by NME but by their second album Euphoric Heartbreak (2011), I had gone off them a bit probably because after seeing them live at Mandela Hall in Belfast I was less than impressed. They capture the wall to wall sound of The Jesus and Mary Chain and sixties pop. Daddy’s Gone being the highlight single from the album.

I am big fan of Mark Lanegan and have been following his solo career since Screaming Trees broke up. He is known to  collaborate with a variety of artists and this album, Hawk (2010) which he done with Isobel Campbell, was their third album together. Even though they are performing as a duet, Lanegan dominates in the vocals. It is a great album and it follows from its predecessors. I am going to check out the first two albums now as I never had them, I went straight in at album no.3!

One of the biggest disappointments for me after getting into a new band was how quickly I went off Interpol. Turn on the Bright Lights (2002) was one of my favourite albums that year and you could tell how influenced that they were by the likes of Television and Joy Division, leading the new post-punk revival of the 2000s. Second album, Antics (2004) sees the band progress from their debut. This earned then support slots with the likes of U2 and The Cure that year. After listening to it again, I gave it a few more listens that day and the more I listened to it I enjoyed it.

Thursday 12 November

Love them or hate them, you just can’t ignore U2. All That You Can’t Leave Behind (2000) was the bands 10th album and this year it is celebrating its 20th anniversary with various re-releases of it coming out. Looking back at the album I saw it was a return to form. I hated the album before that, Pop as I found it really hard to get into. Singles released from the album included Beautiful Day, Walk On, Elevation, and Stuck in a Moment You Can’t Get Out Of were all successful. This was the only album that I never got to see the band on tour when they played Slane Castle twice in 2001.

The Best of 1990-2000 (2002) was the bands second greatest hits compilation. Even though I have nearly everything they have done, do I really need another best of album? Of course I do! It featured two new tracks Electrical Storm and The Hands That Built America from the soundtrack to Gangs of New York.

The album also featured new mixes of sounds (not sure if I could tell the difference!) and also the non album single from 1995, Hold Me, Thrill Me, Kiss Me, Kill Me. My favourite song on the album was Miss Sarajevo which was originally credited to Passengers and also released as a single in 1995. I still have that single.

To get tickets for U2 gigs and I have been very successful in getting them since the Slane gig was by being a member of the fan club. Think it was about $40 to join and you get first chance to get tickets before everybody else which is less stressful. Another benefit of being in the fan club is you get CDs, like the ones I have here – Zoo TV Live (2007), U2 Go Home: Live from Slane Castle Ireland (2008) and Medium, Rare & Remastered (2009).

A two-disc set, Zoo TV Live was the fourth CD released by the U2 fan club. I got this as part of my subscription for 2007. The CDs simply contained the audio of the Zoo TV Live from Sydney DVD, which had been released in 2006. The set also included the audio of a bonus track from the DVD, a live recording of Tryin’ to Throw Your Arms Around the World from New York which felt a bit weird as it looked out of sequence with the Sydney gig.

U2 Go Home: Live from Slane Castle, Ireland was the fifth CD released by the U2 fan club in 2008 and I got bought the CD and the t-shirt edition. Kind of made up for not being there (not likely!)

The last CD Medium, Rare & Remastered was the sixth CD released by the U2 fan club. This two disc set caused a bit of problems with the fan club as these were readily available tracks, combined with the four-month wait for the CDs and the difficult issues with resubscription. Not much of an exclusive then!

Friday 13 November

Unlucky for some or maybe just a coincidence that these albums by Black Sabbath, Megadeth, Teenage Fan Club, Blur and A Perfect Circle all share the same name – Thirteen.

Black Sabbath13 (2013) was the bands nineteenth and final studio album. The original members of Black Sabbath were joined by Brad Wilk (Rage Against The Machine/Audioslave). It was the first ever Black Sabbath album I have bought. Amazing. Got to see the live twice before the farewell. Sadly Brad Wilk wasn’t on drumming duties for the tour.

Megadeth – Th1rt3en (2011) funny enough was their thirteenth album. It was their first album since 2001 and bassist and founding member David Ellefson rejoined the band.

A Perfect CircleThirteenth Step (2003) was the follow up to Mer de Noms  from 2000.

Teenage FanclubThirteen (1993) was their fourth and poorly received album at the time. Many believed they named the album after the Big Star song, Thirteen as the band are huge fans.

Blur13 (1999) was the bands sixth album and continued the trend of a shift away from the Britpop sound of their early career to exploring experimental, psychedelic and electronic music. The album produced three singles – Tender, Coffee & TV (great music video) and No Distance Left to Run.



Music life in lockdown week 32 and 33

This was the start of the two week countdown to select #7albums10s as part of Richard Shaw’s Twitter poll and covers from Monday 26 October to Saturday 7 November.

Previously covered in my earlier post at the time, this gives an overview of the 100 albums that were in contention to top the poll. You can see in that post how the albums I listened to fared in the poll and where my top 7 ended up.

Monday 26 October

I started off the week by researching ten year’s worth of albums. In the meantime and to be subject of a future poll soon I settled for new albums by Pearl Jam and Bruce Springsteen to get in the mood. It is all going to kick off the next day.

Tuesday 27 October


Arcade FireThe Suburbs
WarpaintThe Fool
FoalsTotal Life Forever
Black Rebel Motorcycle ClubBeat The Devil’s Tattoo
My Chemical RomanceDanger Days
Jimmy Eat WorldInvented
The National High Violet
Rolo TomassiCosmology
Manic Street PreachersPostcards for a Young Man
Bad ReligionThe Dissent of Man

Wednesday 28 October


Death Cab For CutieCodes and Keys
Jane’s AddictionThe Great Escape Artist
Explosions In The SkyTake Care, Take Care, Take Care
Foo FightersWasting Light
The Decemberists The King is Dead
PJ HarveyLet England Shake
The Black KeysEl Camino
Arctic MonkeysSuck It and See
The Twilight SingersDynamite Steps

Thursday 29 October


The CultWeapon of Choice
RushClockwork Angels
The Gaslight AnthemHandwritten
Mark Lanegan BandBlues Funeral
Bruce SpringsteenWrecking Ball
SoundgardenKing Animal
Bob MouldSilver Age
Dinosaur Jr.I Bet On Sky
Nada SurfThe Stars Are Indiffernet To Astronomy
And You Will Know Us By Trail of DeadLost Songs

Friday 30 October


Mudhoney Vanishing Point
The National Trouble Will Find Me
Queens of the Stone Age…Like Clockwork
Primal ScreamMore Light
Manic Street PreachersRewind The Film
Jetplane LandingDon’t Try
Pearl JamLighting Bolt
ASIWYFAAll Hail Bright Futures
Alice in ChainsThe Devil Put Dinoasurs Here
Clutch Earth Rocker

Monday 2 November


PixiesIndy Cindy
Mark Lanegan BandPhantom Radio
Bob MouldBeauty & Ruin
Real EstateAtlas
The War On DrugsLost In The Dream
Manic Street PreachersFuturology
The Afghan WhigsDo to the Beast
Foo FightersSonic Highways
WeezerEverything Will Be Alright In The End

Tuesday 3 November


Chris CornellHigher Truth
Vercua SaltGhost Notes
Rolo TomassiGrievances
Dinosaur Pile-UpEleven Eleven
Faith No MoreSol Invictus
Sleater Kinney No Cities Left To Love
ClutchPsychic Warfare
Wolf AliceMy Love is Cool

Wednesday 4 November


Jimmy Eat WorldIntegrity Blues
PixiesHead Carrier
The CultHidden City
Primal ScreamChaosmosis
Radiohead A Moon Shaped Pool
Bob MouldPatch The Sky
Iggy PopPost Pop Depression
MetallicaHardwired to Self Destruct
Dinoasur Jr.Give A Glimpse of What Yer Not
ThriceTo Be Everywhere Is To Be Nowhere

Thursday 5 November


Brand NewScience Fiction
RideWeather Diaries
The NationalSleep Well Beast
ASIWYFAThe Endless Shimmering
Quicksand Interiors
Afghan WhigsIn Spades
Foo FightersConcrete and Gold
Wolf AliceVisions of a Life
The Jesus and Mary ChainDamage and Joy
Queens of the Stone AgeVillians

Friday 6 November


The Wood Burning SavagesStability
Alice In ChainsRainer Fog
Mudhoney Digital Garbage
ClutchBook of Bad Decisions
Buffalo TomQuiet and Peace
Manic Street PreachersResistance if Futile
Rolo TomassiTime Will Die and Love Will Bury It

Saturday 7 November


Jimmy Eat WorldSurviving
The SpecialsEncore
PixiesBeneath the Eyre
Julianna HatfieldWeird
Bob MouldSunshine Rock
Refused War Music
Dinoasuar Pile-UpCelebrity Mansions
Bruce SpringsteenWestern Stars
Sleater KinneyThe Center Won’t Hold

Music life in lockdown week 31

Continuing on the theme of the #3albums series, this week is devoted to the year 2003 for Richard Shaw’s #3albums03 Twitter poll.

The whole week covers 19 – 23 October. I previously covered this in my post #3albums03 Twitter poll which you can read here.

This blog gives a breakdown of what I was listening to each day as I tried to come up with my top 3 albums for 2003. I thought they was a pretty good year music wise and the amount of albums covered, a total of 44 reflected on a good year of music to listen to.

Monday 19 October

The Dandy Warhols – Welcome to the Monkey House

The Postal Service – Give Up

Hot Hot Heat – Make Up the Breakdown

The Shins – Chutes too Narrow

Stellastarr* – Stellastarr*

The Stokes – Room on Fire

Pretty Girls Make Graves – The New Romance

Tuesday 20 October

Jane’s Addiction – Strays

The Distillers – Coral Fang

Metallica – St. Anger

A Perfect Circle – Thirteen Step

Zwan – Mary Star of the Sea

Clutch – Live at the Googoplex

Black Rebel Motorcycle Club – Take Them On, On Your Own

Rage Against The Machine – Live at the Grand Olympic Auditorium

Wednesday 21 October

Cave In – Antenna

Thursday – War all the Time

The Ataris – So long Astoria

AFI – Sing the Sorrow

Hell is for Heroes – The Neon Handshake

Brand New – Deja Entendu

American Hi-Fi – The Art of Losing

Funeral for a Friend – Casually Dressed and Deep in Conversation

Thursday 22 October

Jet – Get Born

Snow Patrol – Final Straw

Thrice – The Artist in the Ambulance

The Ravenoettes – Chain Gang of Love

Therapy? – High Anxiety

Jetplane Landing – Once like a Spark

Turn – Forward

The Thrills – So Much for the City

Friday 23 October

Placebo – Sleeping with Ghosts

Biffy Clyro – The Vertigo of Bliss

Elbow – Cast of Thousands

Muse – Absolution

Radiohead – Hail to the Thief

Super Furry Animals – Phantom Power

The White Stripes – Elephant

The Cooper Temple Clause – Kick Up the Fire and Let The Flames Break Loose

The albums that didn’t get played that week were:

Kings of Leon – Youth and Young Manhood

The Blood Brothers – Burn, Piano Island, Burn

Kenesis – Handshakes for Bullets

The Movelife – Fourty Hour Train Back to Penn

Joe Strummer – Streetcore

Radiohead, Muse and Black Rebel Motorcycle Club ended up as my top picks for 2003.

Music life in lockdown week 30

A big milestone for my musical journey during lockdown – week 30! Never thought I would still be typing this by October.

The whole week covering 12 to 16 October is totally devoted to the year 1992 which was the subject of a weekly Twitter poll hosted by Richard Shaw with the hashtag #3albums92.

I previously covered this on my previous post #3albums92 Twitter poll which you can read here. This blog just gives the breakdown of what I was listening to each day as I tried to come up with my top 3 albums for that year. Quite a task considering that this was one of my favourite years of music.

It would be easy to just go through your collection and single out what you thought was best. But the whole purpose of listening to a weeks worth of music is to see if something else might get your attention to make the top 3. I must admit before these CDs were played I had an idea what my top 3 were going to be but felt every album played this week deserves a chance to be heard.

Monday 12 October

Extreme – 3 Sides to Every Story

AC/DC – Live

Warrior Soul – Salutations from The Ghetto Nation

Gun – Gallus

Manic Street Preachers – Generation Terrorists

King’s X – King’ X

Tuesday 13 October

Singles soundtrack

The Offspring – Iginition

L7 – Bricks are Heavy

The Lemonheads – It’s a Shame about Ray

Faith No More – Angel Dust

Megadeth – Countdown to Extinction

Wednesday 14 October

Soul Asylum – Grave Dancers Union

Alice in Chains – Jar of Flies/Sap

Therapy? – Nurse

Helmet – Meantime

Mudhoney – Piece of Cake

Buffalo Tom- Let Me Come Over

Thursday 15 October

Bruce Springsteen – Human Touch

Bruce Springsteen – Lucky Town

Mother Love Bone – Mother Love Bone

REM – Automatic for the People

Screaming Trees – Sweet Oblivion

Friday 16 October

Sonic Youth – Dirty

Alice in Chains – Dirt

Sugar – Copper Blue

Rage Against The Machine – Rage Against The Machine

Nirvana – Incesticide

Sugar, Rage Against the Machine and Alice in Chains emerged as my three favourite albums from 1992. 28 years later these album still stand the test of time.